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By Barry Dougherty Comedy is not nice,” says Friar Susie Essman in that honest, no-nonsense tone of hers. Don’t be mislead by semantics here though, that’s not to say that for Susie comedy doesn’t reign supreme. When it comes to this comedy dynamo, it’s all about the edge–something she’s well equipped to handle. He gets her kid drunk, he steals her dog, he steals the head off her doll, I mean, he does things that Susie Greene legitimately should get angry about. What mother wouldn’t be furious about that? Susie Greene just has a way of expressing herself that’s very particular to her,” reasons Essman. |
“She embraces her anger, owns her anger,and is completely comfortable in the skin of her anger. That’s what I think people really respond to about her, not so much the language. The language is just kind of funny but I think it’s the anger level that’s really what makes her character. And I’m not like that at all,” notes Essman.
Working on a show that has no scripted dialogue can be unnerving for many actors but the casual improv style that Essman has perfected during a successful stand-up career lends itself perfectly to the genre. “I love it. To me, it’s much more nerve-wracking to memorize lines. That’s how I perform on stage, I don’t know what I’m going to say. I’m used to working that way,” says Susie. The actors are given an outline from Larry David and it’s anybody’s guess what the viewers will hear once the various takes are edited down for the half hour show. “The stuff that comes out of my mouth, all that filth, it’s all mine!” boasts Essman which can throw even the show’s creator and star off balance sometimes. “He ruins all my best takes, because whenever I start yelling at him, he starts giggling. Like his 3rd grade teacher was yelling at him, he’s uncontrollably giggling,” laughs Susie.
“I like to make people laugh ”
Essman’s stint on Curb piqued the interest of CBS enough to have her tape a pilot for her own sitcom. The premise loosely paralleled Susie’s real life that involved a boyfriend who lives in the suburbs with his four kids. “All of a sudden I have this family in the suburbs and I’m soccer mom. When I’m up there on the weekends, going to softball and soccer games, it’s hilarious because I do not fit in at all. I’m with the other
Friar Billy Crystal with Friar Susie Essman
hangin’ out at the Billy Crystal bar
parents, and half the time they know who I am, which is weird. They expect me to tell them to go f--k themselves any minute. The women are three degrees away from lesbian. Soccer moms, they wear aluminum siding, they use their wombs to store their kid’s winter clothes. They’ve completely given up their sexuality. I show up in like high heel Manolo mules, and little Prada outfits, and they’re wearing sweatpants and sweatshirts.” jokes Susie.
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I wanted to be like Carol Burnett, do sketch comedies and that kind of thing,” says Essman. She got her wish having appeared off-Broadway in The Vagina Monologues and on television in Law & Order: Criminal Intent and King of Queens (not to mention her own HBO comedy special and Politically Incorrect). She has also been in the films Keeping the Faith, The Siege, Volcano, and Punchline. Recently, Susie wrapped up work on a new film, The Man, starring Samuel L. Jackson and Eugene Levy. Roastmistress Friar Susie Essman congratulates Friars Tom and Dick Smothers on their
Roast Awards “It’s a comedy. I play Sam’s boss, an ATF officer: alcohol, tobacco, and firearms. I play a tough cop. I did that on Law & Order, too. I was the head of the Organized Crime Task Force. Acting is what I feel I’ve always had a facility for and I prefer comedic acting to anything else. I like to make people laugh.”
That is certainly apparent in any of her Friar-related appearances. For a comedian who becomes a Friar all roads lead to one destination–the Roast. “The Roasts are a particular ability or talent that is completely different from other stand-up talent. It’s different than doing a club. It’s different than performing in that way. It’s a particular art to do a Roast and you have to be really well prepared. First of all, that Grand Ballroom at the Hilton is a nightmare. It’s this huge cavernous room, it’s a horrible comedy room. If you had to pick the worst comedy room, that would be it. So, right away, you’re behind the eight ball in that room. You’ve got to bang out the punch lines,” says Essman who has excelled at any Roast in which she’s appeared including the ones for Danny Aiello, Richard Belzer, Jerry Stiller, Donald Trump, and the Smothers Brothers, for which she was the Roastmistress. “The thing is that in delivering in a Roast, you’ve got to find a way to be mean and edgy and you always have to keep the smile, because it has to be, we roast the ones we love. I just want to be funny and mean is funny,” admits Susie. She also admits that she has a soft spot for the Friars Club. “The Friars is a place where I can always feel incredibly welcome. This is my town, I live here, I love it here, I’m a New York City girl–it’s one of the places I feel very much at home. And especially because I came up through comedy clubs–Catch a Rising Star was my home. It doesn’t exist anymore. That was my Cheers as was the Comic Strip in the old days, where you walk in, you knew every comic, you knew all the waiters and waitresses and the bartenders. That was a home feeling. Those places are gone, and there’s not that many places that I have like that anymore. But the Friars Club is a place where I always feel loved and welcome, and it’s a home to me.” Who says comedy isn’t nice–oh yea, that nice comedian Friar Susie Essman, go f--king figure. |
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